A sofa that encourages confidence, taken from Dalí’s compositions for Jean Michel Frank.
In 2009 we commemorated the 20th Anniversary of the death of Salvador Dali and BD wished to add its special homage by producing a special limited edition of his fantastic furniture collection. All the finishing’s are based on black, with aged black patina on the casted brass, Black Marquina marble for the famous egg, darkened gold leaf and dyed lime wood satin in black for the upholstery and lingerie chiffon, also black for the lamp shades. Refined materials and handcrafted manufacturing to bring up to date a furniture collection that BD has sold exclusively all over the world since the 90s, guaranteed by The Gala Salvador Dali Foundation responsible for the painter’s rights. The black label collection came to market in a limited edition of 105 pieces (the age of Dali in 2009).
Structure in solid wood.
Traditional upholstery with conical springs and cinches.
White cotton interior lining.
Wooden socket lined with polished lacquered brass plate.
100% natural silk cover and buttons in parma violet colour, or black crep satin 100% polyester (black label).
Backrest upper trim in polished varnished cast brass or black patina without varnishing.
versions of vis à vis
sofa black label limited edition
vis à vis
vis à vis
vis à vis
vis à vis
In the Paris of the 1930s, Salvador Dalí (1904/1989) surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas.
One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s.
His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat.
In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme à latête rose” (1935). The sculptor Joaquim Camps was responsible for breathing life into them and BD Barcelona Design took charge of their worldwide exclusive production and marketing.